A young boy hides in the attic, peering through a window. Fear shadows him, yet curiosity pulls him closer, as he habitually fiddles with the frame, gazing and dreaming of the world beyond. Occasionally, a random beam of light sneaks in, tearing a sudden rift in the long-standing darkness. This was his first twenty years of growing up.
| 躲在阁楼里的小男孩, 透过窗户看向楼外。 与恐惧斗争， 和好奇心作伴， 习惯性扒拉窗户， 望向又幻想远方。 窗户外偶尔会透进光来， 把沉寂许久的昏暗划开一道口子。 |
This body of work marks the beginning of Bo’s photographic practice, featuring the first ten rolls of film he shot. Through a narrative rhythm that moves between night and day, Bo constructs a time tunnel for his memories. In this visual archive, scattered memories are rearranged. Amid the mingling of private emotions and traces of the past, Bo explores themes of self-identity, desire, and the dislocation of time. The attic, once a hidden space, has become a metaphorical darkroom — a place to project, record, and ultimately reimagine inner landscapes. 这个作品标志着Bo摄影实践的起点，主要收录了他最初拍摄的十卷胶卷。通过在黑夜与白天之间穿梭的叙事节奏，Bo为自己的记忆构建出一条时间的隧道。在这段视觉档案中，那些零散的回忆被重新编排。Bo在私人情感与过往物质痕迹的交织中，探索着自我建构、欲望投射与时间错置的主题。曾经作为隐蔽空间的阁楼，如今化为一种隐喻性的暗箱——一个将内在风景投射、记录，并最终重新想象的场所。 2024 First Edition 2025 Second Edition | Photo London & Peckham 24 ABBF Book-flipping video |